There is a nice description of each of the main film positions (including those two) in a book by William Goldman, _Adventures in the Screen Trade_. The last section of the book takes the example of a short story, turns it into a screenplay, then he talks with a director, cinematographer, art director, editor, music director about how each would work on the screenplay/movie.
Very informative, and the rest of the book has plenty of gossip and stories about what Goldman saw during a career in Hollywood.
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Very informative, and the rest of the book has plenty of gossip and stories about what Goldman saw during a career in Hollywood.